Those of you who know me in real life probably aren’t surprised by my blogging hiatus. Those of you who know probaby aren’t either. I suppose I’m the only one who’s surprised. In the last year (has it been that...
Image maps were interesting for about three and a half minutes in 1992. Then JavaScript came out and offered developers and users interactive feedback for linked images. Image maps and their associated <area> tags could not (and still do not)...
November, last month, is the month where I write the least. Nothing intentional. It's just that my brooding character lends itself to contemplation in my month of nativity. All the big questions: who am I? Why are we here? Where...
Introduction: Zombie NationIn the last decade, zombies have taken a place of cultural prominence that in some ways is incongruous with their low culture origins. Among other things, this essay accounts for this increase in scholarly interest by examining the...
Yesterday, I returned from my friend Jason's and his (then) bride-to-be Sarah's wedding in Indianapolis. The parts of Indianapolis I visited were incredibly clean and smoking is not allowed in public spaces, bars being an exception. The most interesting...
WARNING: FILM SPOILERS Tonight I finished Chan-wook Park's 2003 Oldboy, which I characterize as a Hankook traginoir with elements of surrealism (attributable to noir) and fantasy. The comments at imdb.com alternate between excoriating Park and the film's writers for...
This remix advert stuns me not only because the music, dancing, and digital superimposition are jaw-drop-on-the-floor amazing, but also because of the complex relationship between music and moving image which produces an irrevocable heartbreaking nostalgia. In this remix, the...
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